Lately I've been spending a lot of time with my work in progress, while querying a finished novel that is as polished as I can make it. But today I received a rejection on the full (a full request from the start, so far I have had no partial requests turn into fulls for this project) that really made me think.
The agent mentioned they liked the concept and the setting, but I had problems with narrative, that the agent wanted "more" from the mc's experience. I believe the agent's comments to be genuine, and not something I'm reading into too much. The concern about narrative I had received pretty uniformly from most agents, and something I kept in mind during the latest stage of revisions. So it looks like I didn't do as well on the revisions as I had thought.
Which begs the question: barring the spontaneous propagation of a literary professional who is willing to do a line by line of my work to tell me where the problem narrative is, how do I know what needs to be changed? How do I know if I can even change the book enough to make it saleable? Will more betas help at this point, or should I put all my writing energies into my wip, where I can apply what I learned trying to write the last one?
I have a good-sized list of agents I can still query, and I could change little things, but I'd need an objective reader, or hell, a committee at this point, to help me decide where to start with yet another stage of revisions. I've read it so many times, the words just start to run together at this point.
Keep writing! the agent in question says. Does that mean I should keep writing the same story, or move on to another? It's enough to make me pull out my hair. I'm getting so deep into the main character of the wip, a place I never really got to with the mc of the novel being queried, that it would be difficult for me to switch gears right now. It's hard for me to go backward. Maybe I am a better writer now than I was, but am I a better storyteller? Can I craft a whole story that makes sense from start to finish that immerses the reader in a living breathing character's life and problems? If I can't do this, what right do I have to call myself a writer?
So for now I'm going to play it cool, wait on another full and a partial request, and decide later. Maybe there's an agent out there who will like the story enough to give me the critical feedback I need to whip the story into shape. Or maybe I'll go nuts with my wip and finish it in six weeks (ha!) and have another story to foist other concerns on. And the viscious cycle will start all over again.
How to decide without losing my sanity? Should I tackle two stories, revisions and draft writing, at the same time? Or put all my eggs in a brand new basket?
“All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery. Writing a book is a long, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist nor understand.” ~George Orwell
I'm a YA writer who delves into urban fantasy, paranormal and romance, and who loves reading good books almost as much as writing them.
When not writing—or working—I enjoy daydreaming, drinking tea, and walking in cemeteries. I used to spend the rest of my time checking my inbox for manuscript requests, but am now proudly represented by Rosemary Stimola, of Stimola Literary Studio.